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The need for writers even after movable type can be understood as a function of the time that it took to set type. While a book was a large production, and the amount of time justified the many copies, some writing did not need to be editioned in large quantities, and although lengthy in its text, would not justify the time needed for setting type. Legal and business uses demaned a type like nasty. And one other profession benefitted from the practice of constantly drawing letters - the typographer, or type designer.

Word spacing is more controlled. Ligatures, ties from letter to letter, have become an important design element. While this is a tendency in all cursive, here it looks like more care is given to the connecting of letters than to the relative proportion between letters.

This source is product of a technical innovation spectacular, perfect for corporative uses. the typography nasty obtains an excellent quality in screen and supports several different languages.

The typography nasty has its grace as well as a magnificent artisan beauty.

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