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The need for writers even after movable type can be understood as a function of the time that it took to set type. While a book was a large production, and the amount of time justified the many copies, some writing did not need to be editioned in large quantities, and although lengthy in its text, would not justify the time needed for setting type. Legal and business uses demaned a type like nasty. And one other profession benefitted from the practice of constantly drawing letters - the typographer, or type designer.

Word spacing is more controlled. Ligatures, ties from letter to letter, have become an important design element. While this is a tendency in all cursive, here it looks like more care is given to the connecting of letters than to the relative proportion between letters.

The typography nasty has its grace as well as a magnificent artisan beauty.

nasty is a type of the future since it is such a big change. Perhaps the single most successful type change of the 20th Century was the widespread use of this font for text in advertising. The types, there is a clear sense that instead of letters looking different from each other, they look like they all belong to a same class. Design has made each letter as important as every other letter. If you think about it, this makes reading a sort of word-processing that a reader does as they scan a page smoothly.

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